I just got back from the AAC&U Institute on High-Impact Practices and Student Success at Vanderbilt University. While I learned a great deal about HIPs, and about what it means to make meaningful interventions in student learning at the institutional level, I also learned a cool tool: Cmap. A wide variety of uses for teaching and scholarship were immediately apparent, but I also got a good idea from, Tim Eatman, the faculty member who taught the tool to my team: using it to visualize a promotion portfolio.
One of my challenges as I’m preparing to apply for full professor this fall is making sense of the range of post-tenure activities in which I’ve participated over the last six or so years. I pursued these avenues in a way that felt very intentional to me, but I’m not sure that will be visible to my P & T committees. There’s a mix of traditional scholarship and online interventions, teaching experiments and campus service, public engagement in the arts and culture sector throughout the Philadelphia region…where’s the narrative? What’s the guiding principle to the work I’ve been doing?
So, over the next few months as I’m putting together my application, I’ll also be creating a Cmap, which I’ll include in my documents and publish here once it’s done. My focus question will be: How does an academic in literature and the humanities shape a career committed to literary study, public engagement, student success, and institutional health? Mapping the nodes and connections I’ve built over time will show — I hope — how these elements can be integrated and a case for their value as a whole can be made.
Posted in blogging, higher ed, humanities, research, teaching
Tagged altmetrics, assessment, humanities, leadership, scholarship, teaching, technology
Winding down a semester that saw a lot of excitement: the inaugural semester of our First-Year Common Experience (featuring a lecture by Ta-Nehisi Coates), an exhibition of the work of Norman Rubington, writing, teaching — all culminating in great thesis presentations by our senior English majors…and a departmental assessment report. I know that last one sounds less than thrilling, but it’s prompted some really productive conversations in our department around teaching and learning.
Speaking of — looking forward to debuting a new course on Graphic Narrative this spring. I’m trying a few new things, involving students earlier in the design, planning a Google Hangout panel chat (hopefully with Comics Grid colleagues), and some reflective journaling.
Lots of traveling, too — a sample:
- The pre-meeting symposium at the AAC&U Annual Meeting: “New Designs for Integrative Learning,” January in DC
- A paper on Leann Shapton at the 2014 Narrative conference, March at MIT
- Keynoting at the Northwest Undergraduate Conference on Literature, April at University of Portland
As always, you can find me over at Inside Higher Ed/University of Venus.
One of the projects I got to work on this spring was an introduction to a new US edition of John Braine’s 1957 novel Room at the Top. The edition is coming from Valancourt Books, a specialty micropress focusing on new editions of rare 18th, 19th, and 20th century literature, especially Gothic, weird, supernatural, mystery, and queer literature. Braine’s novel is a classic of mid-century British fiction, part of a moment loosely called the Angry Young Men. It was also made into an equally significant film of the British New Wave.
image from the Valancourt Books website
The novel tells the story of Joe Lampton; at the start of the novel, set in the present, he is successful but complacent, looking back at his ambitious youthful self ten years earlier with a mixture of admiration and scorn. The narrative unfolds in a tracing of his rise to affluence and the women he loved, lost, and used to get there. Room at the Top is a compelling look at the moral implications of a society defined by increasing affluence and the stark gap between haves and have-nots. It asks whether material success and comfort is worth the loss of your soul.
While this is a little outside my usual areas of research, I do teach the Angry Young Men and British New Wave, and it was a real pleasure to delve into Braine’s career and think about this novel. I’m happy to see it back in print and available from Valancourt–with the original cover art from the first edition.
In addition to finding me in the classroom, you’ll be able to find me in assessment meetings as we revise our first-year writing program and our departmental goals and objectives — and hopefully you’ll find me in my office making some long-awaited progress on Erotic Biography.
Online and off, I’ll be:
- Attending the Annual Meeting for the National Humanities Alliance/Humanities Advocacy Day in March once again;
- Working on an introduction for the Valancourt Books edition of John Braine’s Room at the Top;
- And, of course, blogging at Inside Higher Ed/University of Venus
Also: watch the Widener English blog this January for writing from my fall semester students on why we read — and need — fiction.
Looking forward to the return of THATCamp Philly on September 29th. I’ve proposed an idea for a session on using digital archives in research and teaching: check it out.
Classes at Widener begin on August 27, but before then I’ll be participating in a few chairly-type retreats focusing on governance, leadershipping, etc., so very much around. Here’s what I’ll be teaching this fall, and when you can find me for office hours.
In and around town — and beyond:
- Continuing my work at the Swarthmore Public Library leading a book group on biography called “Women’s Lives”
- Joining a few Twitter colleagues for a roundtable on modernism and social media at MSA 14 in Las Vegas, October 18-21; I’ll also be chairing a panel I put together entitled “Modernist Necrophilia”
- Recent posts up at University of Venus/Inside Higher Ed as well as The Comics Grid
Finally — very pleased to be joining the editorial team at College Literature as an Associate Editor. They’ve undergone a redesign and a shift in focus with new editor Graham MacPhee, and I’m excited to be part of it.
I was prompted by this post from Cathy Davidson on making online professional engagement visible and this piece in the Chronicle on #altmetrics to use TweetLibrary and Storify to archive my tweets. I began using Twitter for professional purposes in 2009, shortly after receiving tenure. It’s been an important part of my working life, but I never thought about how it illustrates my areas of engagement until now.
The archive reflects work I’ve done post-tenure in a number of areas: teaching/assessment, scholarly research and writing, blogging and chatting on professional issues, chairing a department, moving into advocacy for the humanities both in the classroom and the public square, and keeping up with developments in my discipline (such as digital humanities). I’ve attended conferences and contributed not only presentations via the traditional paper but also content to the backchannel via livetweeting. The archive illustrates the ways we can connect with colleagues to share ideas, ask questions, and keep our own learning and development going.
Screenshot of my Storify archive
But as part of that, I realized going through the material that the archive also offers a window into something we don’t often get to see: process. If you go through the archive, you’ll see the early stages of projects, brainstorming for blog posts, a public testing of ideas and an appreciation of feedback. You’ll also see the impact, however small, that some of this work has. That’s something else that’s not always visible in scholarly work. Using this tool, I can get a sense of who is reading my work, the extent to which it gets passed around and commented upon, and whether or not what I’m doing is making a difference and contributing to a dialogue. It’s not the only way to measure the reach of faculty work, but it might be a valuable way.
Posted in blogging, higher ed, humanities, research, teaching
Tagged altmetrics, assessment, biography, blogging, HASTAC, humanities, James Joyce, leadership, modernism, Modernist Studies Association, narrative, peer review, profession, ProfHacker, publishing, scholarship, teaching, technology, THATCamp, University of Venus